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You can then use your brush tool to paint in where you would like to dodge or burn you backdrop. On the masks associated with the curves, make them both black to hide the adjustment. Selecting a point from the middle of the curve I pull one of the curve adjustments layers slightly up to brighten the image and one slightly down the darken the image. To Dodge and Burn I use 2 separate curve adjustment layers. By painting on a blank layer it makes it much easier to make corrections or undo things that don't work.ĭodge & Burn: With the dark curve adjustment still applied we will now begin dodging and burning to smooth out areas of contrast in the backdrop. Also use a new blank layer to paint on and choose the "current and below" option on the right side of the options bar. You can then paint in the texture on the area you want to correct. Hold down Alt and click to "sample" or choose the area you want to borrow texture from. When using the healing brush you will basically be replacing texture. It attempts to separate tone from texture and allow us to paint in and adjust texture while maintaining the the tone. Healing brush: The healing brush is in a way an automated frequency separation. It is very important to remember that in order to see most these issues I am applying a Curves adjustment layer to make the image much darker. The third and final step will be to blend the gradation of value in the background with frequency separation.
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The second step will be to even out some of the tones in the backdrop with dodge and burn. The small wrinkles are a texture issue, so I use the healing brush tool. The first step will be to remove the small wrinkles in the paper. The final step polishes off the image with sharpening and the occasional use of the liquify tool.Cleaning up the background will be a three part process. Although some of the color issues are addressed in Capture One, the third step refines those adjustments in Photoshop. Second, he moves on to luminosity work and smooths the transitions between highlights and shadows using dodging and burning.
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The first step is to take care of any blemishes or texture problems. Quentin's workflow in Photoshop is always composed of four steps. Next, he walks through creating selections to clean up colors and luminosity issues in the skin. Once the base file has been prepared, Quentin takes it into Photoshop for the retouching portion of the tutorial.
Portrait retouching fstoppers how to#
If you don't have experience with the software, Quentin starts from the beginning and will show you how to import your image. The first step is to bring the raw file into Capture One and push it as far as possible to get the most amount of detail and color in the image. Once you've learned it, you'll be able to apply it to every one of your own images. Quentin approaches every beauty and portrait image edit with the same process.
Portrait retouching fstoppers full#
In this tutorial, he will cover his full workflow on how to edit a picture from start to finish.
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Quentin Decaillet has spent his career refining his retouching process using both Capture One and Photoshop. Retouching can be a daunting process for the inexperienced photographer however, it's an essential part of any well-crafted beauty or portrait image.